"I've never seen someone sweat their own tan off before," says Josh. Clearly never been to an Essex nitespot.
Judges' comments: Motsi says "clean and tidy, some body isolations but it was a bit stop-and-go". Shirley says "so happy with your standing foot, now finish the arms and connect them with feet". Anton says "you died a bit towards the end, timing and partnering was super-duper but another 30 seconds and you'd have come to a grinding halt, work on your stamina". Craig concludes "you were flagging, a problem with upper body not working hard enough, but techincally good". Armography, armology. Potato, tomato.
Football content creator John Nellis is another celebrity who's been boinging up and down the leaderboard. He often looks more comfortable in ballroom hold so how will he cope with a high-energy jive? They start inside a giant CGI football, then get into a slightly plodding white-cad jive. Lots of jumping, flicking and kicking. Awkward changes of gear. Heavy-footed, lacking retraction and compact shape in parts. Pro partner Katya Jones taking her usual "more is more" approach to choreography and bunging in lots of tricks. Jivin' John flags a little towards the end but Katy ends by showing off her core of steel.
Pump It by Black Eyed Peas. The 2006 rap-dance anthem incorporates guitarist Dick Dave's surf rock version of Misirlou, as featured on the Pulp Fiction soundtrack. Pump It, meanwhile, graced the soundtrack of cinematic masterpiece Garfield 2: A Tail of Two Kitties.
Little skit with Emma pretending to play keepy-uppies, before the camera pans back to reveal Josh lying on the floor throwing the ball in the air. He'll get his nice brown suit dirty.
Judges' scores: 6, 8, 8, 8 for a total of 30 points.
Judges' comments: Craig says "it could have been fantastic but was littered with illegal lifts, you're taking the mick, darling, but fantastic job". Motsi says "technical mistakes, shoulders got tense, you lost fluidity but took risks and put on a show". Shirley says "loved the beginning and end, loved the flamenco pieces and reverse pivoting, needed more secure footwork but be proud of yourself". Anton concludes "a little mistake and some of it was spent in the air but there's a world of difference in you, strong and intense, dancing on the edge, love that".
Riding high after sliding down the banister to top last week's leaderboard and notch her first 10, Dani Dyer now gets serious for a dramatic paso. Looking every inch the Spanish señorita in a gold embellished dress with black detailing and swishy skirt. Fiery opening, then into fierce moves alongside pro partner Nikita Kuzmin. Intense and full of attitude as they tell the story of the bullfight. Tango-like in places but much improved footwork and posture. Spins, lifts, kicks and a strong solo finish. Exciting power-packed choreo but enough paso content? Olé!
Everybody Wants To Rule The World by Lorde, her cover of Tears For Fears' 1985 synth-pop hit. The band rerecorded it the following year as Everybody Wants To Run The World, a charity single for Sport Aid. New Zealand singer Lorde's moody, melodramatic version appeared on the soundtrack of 2013 film The Hunger Games: Catching Fire.
Emma Willis gets slid down the bannister by Nikita, a la Dani last week. Sweetly thrilled, like a competition winner. Someone get her a goodie bag.
Judges' scores: 6, 7, 7, 7 for a total of 27 points. "It's live, mistakes happen," Jojo reassures him sweetly. Dance-off danger already?
Judges' comments: Shirley says "Blackpool is looming and you want to stay, some beautiful footwork but got a bit tangled at the end, you should be there on commitment and performance". Anton says "a number of mistakes but posture and hold much better". Craig says "a crying shame you went completely wrong twice but the quickstep itself was light and bright". Motsi concludes "much improved, great leg control, I wish you hadn't made that mistake but good job".
He;s slipped to the lower reaches of the leaderboard in the past fortnight but gentlemanly canine expert Graeme Hall loves his ballroom and will be hoping this quickstep can revive his fortunes. A 1950s theme with quiffs, jukebox and red-and-black outfits. He's been working hard on his hold with pro partner Lauren Oakley. Needs to maintain posture and position. Promenades, skips and hops as they fly energetically around the floor. Charleston flicks and kicks. Could do with being a little lighter on his feet at times and a little stutter in the solo sections but showing some stamina. Loses sync in the late side-by-side section. But smooth, neat styling and lots of frothy fun.
Happy Days by Pratt & McClain. The theme tune to the 1970s sitcom, performed in a 1950s rock'n'roll style to fit the show's setting. Leather jacket-clad mechanic Arthur "Fonzie" Fonzarelli, played by Henry Winkler, was a minor character for the first two seasons but proved so popular with viewers that he was promoted to co-star alongside Ron "Richie Cunningham" Howard. Heeeeyyyy. Sit on it.
gets welcomed back, despite being dressed as a waiter from 1930s Berlin.
Our couples emerge on the sparkly staircase for welcome waves. has his chest out and is in a black sheer top. has a stick-on quiff.
Enter the paddle-raising panel of, , and . Everybody dance now, sing C&C Music Factory (tune).
The judges have dished out four perfect 10s so far this series. Will there be more tonight or will they save them for Blackpool?